I first became aware of this sculpture in downtown Little Rock when I worked in the office building across the street. I would examine it as I walked by. Sometimes I would stare at it from my co-worker’s window several stories above.
What was this supposed to be? A distorted puzzle piece? A flattened piece of silly putty? An armless human?
Why was it in front of this triangular building? Were the building’s developers such lovers of public art that they included this display in their plans? It was a mystery to me.
Despite working so nearby for a year, it wasn’t until my husband and I moved to the Lafayette Building in 2011, a half-a-block to the south of this sculpture, that I took the time to examine it more closely. Once we lived downtown, I made a deliberate effort to explore my new neighborhood on foot (and still do).
As I walked home from a friend’s going-away party at Copper Grill one evening, I paused to take a photo of the sculpture – the photo at the top of this post. A closer examination revealed the following inscription on its base. Now I had something to go on.
The inscription reads: “Large Standing Figure: Knife Edge, 1961. Henry Moore. Purchased for the Metrocentre Mall by Metrocentre Improvement District No. 1 and paid for by private funds from property owners within the district. 1978.”
Ah ha! It’s a relic from a prior downtown development.
Further research revealed – thank heaven for Google – that the purchase price was $185,000. That’s quite a significant investment! No doubt its value is much higher these days. Henry Moore’s work is world-renown and very highly regarded. We’re fortunate to have this treasure on public display.
I have very faint memories of the former pedestrian shopping district, called the Metrocentre Mall, which closed a portion of Main Street in the late 1970s. Only pedestrian traffic was allowed.
I applaud the Metrocentre Mall visionaries for giving the concept a go, but they were up against an insurmountable beast of suburbanization and urban sprawl. The project was an attempt to revive downtown Little Rock’s profile just as the more modern and popular shopping destinations of McMain Mall, Park Plaza Mall and University Mall were coming into being elsewhere in the metroplex.
The sculpture was originally placed in the center of Capitol Avenue at Main Street. This photo shows how it looked there.
Remnants of the Metrocentre development can be seen yet today in the brick-paved raised portions of the Capitol and Main Street intersection. Vestiges of the vibrant downtown that existed prior to that, in the late 1800s through the 1950s, can also be seen in the gorgeous architecture of empty buildings.
The Henry Moore sculpture was moved in 1999 from the center of Capitol Avenue to its current location one block to the west at Capitol and Louisiana streets. Capitol and Main streets reopened to automobile traffic at that intersection then; the former “mall” buildings long since converted to office space.
I can see the logic of moving the sculpture only a very short distance – the monolith is 11 feet five inches tall and it weighs 1,200 pounds! The backdrop of the Union Plaza building was a good choice.
Right now it’s the only public art structure in the heart of original downtown.
After learning about the sculpture and why it came to be in downtown Little Rock, I now see it as a silent sentinel who represents the hope for a revived downtown. That “Large Standing Figure” stood watch over the Metrocentre Mall. It probably seemed to dance with the live music at early Riverfests held downtown (see photo below). But I suspect it has mostly stood under appreciated and misunderstood by those who pass by it during their busy work days, as I did.
Many months ago I heard there was consideration of moving the sculpture to the very vibrant Rivermarket area which hosts other public art installations. Clearly, it should be in a place where there is significant and leisurely foot traffic. But I hope that’s not done. I hope it stays where it is until it witnesses a resurgence of life in the Main Street corridor – and I believe we’re on the cusp of that coming to be.
Just a few blocks away, the Arkansas Repertory Theater occupies a former department store from Main Street’s heyday. The recent multi-million-dollar renovation of The Rep has breathed new life into downtown. The update influenced the awarding of an arts-focused grant to rehabilitate the surrounding store fronts into an arts corridor.
Just this morning, the newspaper announced the sale of other Main Street buildings, right in the shadow of our Lafayette and diagonal to The Rep. Plans are to develop the former bank and department stores into retail and event space along with living space above. This announcement follows others in recent months that indicate a revived interest in our city’s core which is emanating from the decade-long vibrance of the River Market district along the river.
In the mean time, the Henry Moore sentinel and I will be standing by, cautiously waiting and watching. Hoping this century’s version of downtown is one filled with life, light and longevity.
Garden & Gun: Little Rock Rising (mentions Henry Moore sculpture in original place at Capitol and Main) http://gardenandgun.com/article/little-rock-rising
Encyclopedia of Arkansas article about the Henry Moore sculpture: http://alturl.com/dp687
Artistic description of the sculpture from catalog of Moore’s art on display in public spaces: http://www.henry-moore.org/works-in-public/world/united-states-of-america/little-rock/100-west-capitol-main/large-standing-figure-knife-edge-1961-lh-482a
Henry Moore bio: http://www.theartstory.org/artist-moore-henry.htm